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Ciarán Hinds in a few words

Ciaran Hinds in Hallam FoeBorn and raised in Belfast, Northern Ireland, Ciarán Hinds is the second eldest of five children and the only son of his physician father and amateur actress mother. Ciarán began his training in Irish dance with Patricia Mulholland while attending Holy Family Primary School, and performed in stage productions at St. Malachy's College, an all-boys' high school. He went to Queen's University Belfast to study law, but soon the acting bug bit and he left for London to attend the Royal Academy of Dramatic Art (graduated 1975/07/01).

Ciarán began his professional stage career in 1976 in the production of Cinderella at the Glasgow Citizens' Theatre, and performed in many more productions with the company for several years.

He added to his oeuvre of stage work in various theatres throughout Britain and Ireland, including the Field Day and Druid theatre companies. He was selected by Peter Brook to join the cast of The Mahabharata, a six-hour play that toured the world, and he also appeared in the 1989 film version before joining the Royal Shakespeare Company in 1990. Among his many roles with the RSC was the lead in the 1993 production of Richard III, directed by Sam Mendes.

From Belfast to Hollywood Ciarán has made a name for himself as a quality actor...

He also appeared in many productions with the National Theatre in London, where he originated the role of Larry in Patrick Marber's hit play, Closer. Ciarán reprised this role when the play went to Broadway in 1998-1999.

Ciaran Hinds in Simpatico In 1981, Ciarán made his film debut in Excalibur, which also starred Helen Mirren, Patrick Stewart, and fellow Irishmen Liam Neeson and Gabriel Byrne. Ciarán has gone on to many more film appearances, including The Cook, the Thief, His Wife, and Her Lover with his Excalibur co-star Helen Mirren; The Sum of All Fears with Ben Affleck and Morgan Freeman; Road to Perdition with Tom Hanks and Paul Newman; and Steven Spielberg's Munich among many, many films.

In a recent spate of screen work, Ciarán has appeared with Nicole Kidman in Margot at the Wedding, with Colin Farrell and Ralph Fiennes in In Bruges, with Frances McDormand and Amy Adams in Miss Pettigrew Lives for a Day, with Ryan Philippe in Stop-Loss, and with Daniel Day-Lewis in the Oscar-winning There Will Be Blood. 

Ciarán is well known for his portrayal of Julius Caesar in the recent HBO series Rome, but his television career started much earlier with his role as Ashwattaman in the television miniseries, The Mahabharata, in 1989. He has since starred in numerous television series such as Prime Suspect 3, The Memoirs of Sherlock Holmes, and Tales from the Crypt. Along with his feature film roles, Ciarán has played classic characters in made-for-TV films including Captain Wentworth in Jane Austen's Persuasion, Brian de Bois-Guilbert in Sir Walter Scott's Ivanhoe, and Mr. Rochester in Charlotte Brontë's Jane Eyre.

Ciaran Hinds in Closer Ciarán has lent his mellifluous voice to several audiobook and radio productions. He narrated the audiobooks Ivanhoe and the Caedmon Short Story Collection including James Joyce's A Painful Case among other works. He played the roles of Leontes in A Winter's Taleand Antony in Antony and Cleopatra in the Arkangel Complete Shakespeare collection. Among his radio performances, he played Valmont in the BBC Radio production of Les Liaisons Dangereuses and narrated several productions including BBC Radio's Book at Bedtime reading of Damage and works from James Joyce's Dubliners.

More recently, Ciarán starred as Mr. Lockhart in The Seafarer (for which he earned critical acclaim) at the Booth Theatre on Broadway through March 2008. In France, Ca$h came to theatres in April 2008 while he was filming Race To Witch Mountain, a Disney "re-imagining" of the 1975 film Escape to Witch Mountain. Summer 2008 saw Ciarán on another TV project where he was cast as DCI Langton in Lynda La Plante's adaption of her book Above Suspicion, which was aired in January 2009 on ITV1 and turned out to be a great succes.

He finished filming Conor McPherson's The Eclipse in Ireland at the end of September 2008, a movie that is due to have its premiere at the TRIBECA movie festival in April/May 2009. Up until mid December 2008 he was part of the cast of Todd Solondz' project Life During Wartime.

Soon afterwards we were looking forward to seeing him in a leading part in Peter Flannery's play Burnt By The Sun, which brought him back to the stage in London until the end of May 2009.

During the play's run he was also fiming The Debt (directed by John Madden) with Helen Mirren.

In 2009, there has been a handfull of projects where he appeared again in a leading role or as a minor character: on stage at the Gate Theatre in Dublin, Conor McPherson's The Birds (September-October 2009), for the big screen as Aberforth Dumbledore in Harry Potter and The Deathly Hallows and for ITV, he took on DCI Langton's role again in a sequel based on Lynda La PLante's second novel in Anna Travis' series, The Red Dahlia.

The filming of John Carter where he plays a Martian ruler took him until mid 2010. May 2010 saw him in Detroit to star along with Pierce Brosnan in Salvation Boulevard directed by George Ratliff and the third season of Lynda La Plante's Above Suspicion, Deadly Intent kept him busy during the Summer.

Also on his plate are The Rite, adapted from Matt Baglio's book, The Woman In Black, adapted from Susan Hill's book, Tinker, Tailor, Soldier, Spy, adapted from John Le Carré's spy novel, and The Spirit Of Vengeance, a sequel of the 2007 movie based on a Marvel comic book, shot in 3D in Romania and Turkey.

2011 has proved to be a great year in many ways. Apart from his small parts in talked about movies like Harry Potter and a fourth season of Above Suspicion, he seems to be going back to his Irish roots, with Terry George's short movie The Shore and Terry Loane's Sisters (still not confirmed in 2012). Then he returned to the stage in Sean O'Casey's Juno and the Paycock for the Autumn season, first at the Abbey Theatre in Dublin, then at the National Theatre, in a role he has already played in 1983.

In the third and fourth seasons of Game of Thrones, Ciarán was Mance Rayder, the "King Beyond The Wall". At Richard Rodger's NY Broadway theatre, he was Big Daddy in the revival of Tennessee Williams' Cat on a Hot Tin Roof, from 18 December 2012 to 30 March 2013.

In 2013, he landed the leading part in Conor McPherson's new play The Night Alive from 13 June 2013 to 27 July 2013 at the Donmar WareHouse. The Night Alive jumped to New York for a run from 30 November 2013 to 26 January 2014 at the Atlantic Theater Company.

In 2013, his screen credits include Closed Circuit, The Disappearance of Eleanor Rigby, The Sea and Frozen.

Awards

With his versatility as a gifted character actor plus the "tall, dark, and handsome" look of a remarkable leading man, Ciarán is a favourite not only of fans, but of directors and other actors who value his artistic talents, professionalism as well as human qualities that make him a pleasure to work with. He has won respect and recognition from critics and colleagues alike as shown by these numerous awards:

The essentials

Ciarán Hinds in his own words

Himself: I go for stories with passion, things that involve minds and progress.

Himself: I don't see myself following in the footsteps of Liam, Pierce and Gabriel. I'm not driven by ambition to be a star. I'm just a spinner of other people's stories.

Belfast: I grew up in North Belfast in the 1950's and 60's, which I remember now as a time of innocence, invention and imagination. The Waterworks on the Cavehill Road provided us with a great arena to indulge many pastimes, whether it was sailing homemade model yachts on the reservoir, playing whatever sport we had in mind - ranging from international cricket to Gaelic football via wheelbarrow racing - or picking off imagined hordes of Red Indians or Japanese soldiers who were advancing over the brow of the Cavehill Mountain high above us. Ciaran Hinds as Mr Lockhart in The SeafarerThe Cavehill provided us with many bicycle paths and cowboy trails; most school holidays Mitch Campbell, Joe McAuley and myself could be found up there, either in the bluebell woods that my Grandfather Gibson first introduced me to, or even higher up on the rocky incline known as Napoleon's Nose - we favoured the left nostril, as I remember. The Cavehill Road turns into the Limestone Road where I attended Holy Family Primary School, and just behind it, in Newington Street, lived the woman who was to have a profound influence on my life, the remarkable Patricia Mulholland, who, from the 1940's to the 1980's, taught generation after generation the beauty of Irish dancing with patience, skill and supreme elegance.

Irish dance: My own professional life has been greatly influenced by the fourteen years I spent dancing with the company - the precision, the presentation, the absolute necessity of teamwork, the endless hours of practice . . . and so much FUN!

Cold Lazarus: I was apalling at science at school. The vernacular of cryogenics and biochemistry can be one hell of a mouthful but Potter knew what he was talking about. You just have to say the lines as he wrote them and hope that you're serving his ideas.

Rome: I would like to thank the director for having the nerve to cast me (February 9th, 2007).

There Will Be Blood: The nature of Fletcher is that he sees that there's practical work to be done and he does it, very quietly and modestly. (It sounds as if this ever modest actor was speaking of himself...)

His part as Lady MacBeth at the age of 12: My mum says I haven't done anything as good, so it's an on-going battle trying to hit that high again.(He really said it! - watch the clip)

Studying law at Queen University: My tutor suggested I quietly leave the law faculty - because snooker and poker wasn't much use to them.

Watching himself: It can be awfully nervewracking seeing yourself on screen. You have to put your ego aside.

His career:...But my dream is still to be offered these wonderful, little Irish films, in Donegal or Derry. It's good for my Irish soul.

Acting:...we all have to arrive, whatever happens, with the same intention, on the same evening, at the same time. There is no one way to do it - acting is a mystery.

Nicole Kidman: Licking Nicole Kidman's neck was fine by me but I hope she didn't care.

Becoming an actor during the Troubles

"It was quite extraordinary because at the same time I wasn't running away from what was going on the north of Ireland, but it was insane in 1973. Civil rights had kicked off '68, '69 and the army had moved in; we have internment introduced. There were tit-for-tat killings. And it was sort of something that you began to accept just part of the life that went on there. But there was nowhere, as I decided that maybe I would try and change to be an actor, there was nowhere Ireland at that time that you could do that. So, the only place is to head over to England and see if you could get a placement in one of the theater schools there, which is what I did."

"So, I have to say I arrived over, I suppose, in '73 to the Royal Academy of Dramatic Art. And I had very long hair, and I was going around in skinny denims and bare feet. And I probably had a chip on both shoulders. But what I did understand was how fortunate I was to come over at a proper age and meet young English people who were as inquisitive of what was going on there, what was it all about, and it wasn't about just one nation against another. There was a whole people who wanted to know, to understand, what was the way out, what we could do. So, for me, I was quite lucky."

"One of like, well, you – A, you've finally been rumbled, and, B, well, it lets the pressure off for a bit. Because when every time you come to work, you think you have to kid yourself that you can do it and it doesn't get any easier the older you get. You've just got more doubts."


Miscellaneous

Personal info & pictures

Videos & trailers

Sound clips


Gallery

Artwork

2014 by Kenneth E. NationAmazing Grace in the New YorkerAnother Julius Caesar by unknownArtwork by VanGoghMonkeyBy Aaron Mc Connell Caesar by Joan LansberryCiaran as Caesar by unknownCiaran by Brittny YanceyCiaran by Cosette PatarotCiaran by DarthNietzscheCiaran by Evelin LangCiaran by FCARLOSCiaran by Fiendish LosnaCiaran by Kenny McKendryCiaran by Nil 94 2011Ciaran by Nil 94 2012Ciaran by VanDonovanCiaran in TNA by Leslie HowardFrom http://www.colindavidson.comFrom http://www.colindavidson.comFrom http://www.colindavidson.comFrom http://www.colindavidson.comIn Tinker, Tailor, Soldier, Spy by Matthew Brazier

Favourites

Ciaran Hinds in interview about Hallam FoeCiaran in Jane Eyre (1994)Tell me, sweet eyes, from what divinest star did ye drink in your liquid melancholy? (Edward Bulwer-Lytton)We are all in the gutter, but some of us are looking at the stars (Oscar Wilde)

Jokes

Ciarán's Christmas message

Misc

Ciaran Hinds in Majesty for the Lyric Theatre in BelfastCover of Thief's Heartbeat, by Philip DavisonWith Glasgow Citizens' Company

Year 1989

Ciaran Hinds in The Mahabharata

Year 1990

Ciaran Hinds in December Bride

Year 1995

Each man in his way is a treasure (Robert Falcon Scott).England Expects that Every Man will do his Duty (Admiral Horatio Nelson).

Year 1996

He that hath a beard is more than a youth, and he that hath no beard is less than a man (William Shakespere).

Year 1997

I'm handsome, no ands, buts or ifs (Colin Mochrie).Official CV headshot

Year 2007

Attending a pre-premiere of There Will Be BloodIFTA 2007: Ciaran Hinds, a happy winner

Year 2009

Ciaran Hinds in Life During Wartime

Year 2010

Ciaran Hinds in Gothenburg Film Festival (February 2010)Ciaran Hinds in the Eclipse I never dress in suits and shirts and ties, Im a scruffy bugger! Jameson Dublin Film Festival: the Volta AwardPhoto B. BalfourPhoto: Paolo VerzoneSupporting the Lyric Theatre in New York

Year 2011

...th'whole worl's in a terrible state o' chassis (Sean O'Casey)Ciarán's arrival at Trafalgar Square on July 7IFTA London reception, August 21stTh' whole worl's in a terrible state o' chassisThere are various eyes. Even the Sphinx has eyes: and as a result there are various truths, and as a result there is no truth. (Friedrich Nietzsche)We had seen God in His splendors, heard the text that Nature renders. We had reached the naked soul of man. (E. Skackleton)

Year 2012

The worse the haircut, the better the man (John Green)Woman In Black premiere

Year 2013

Ciaran at the TIFFThe Night Alive in New YorkThose eyes...Youth in action

Year 2014

Chaque année, le rossignol revêt des plumes neuves, mais il garde sa chanson. (Frédéric Mistral)

Youth

Dancing with Patricia Mulholland
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